Big Fish was challenging because of the number of distinct scenes, taking place in vastly different periods and fantastical themes. For this reason, most of the ensemble had between 6-8 costume looks, and incredibly quick changes. I created a color based narrative, showing the world as Edward Bloom saw it, instead of realistically. This show was put up in about a month by a fairly small team, so I also draped and built several costumes, such as the Witch, and the Alabama Lambs.

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Costume Design: Mae Berg

Asst. Costume: Molly Gluzinski

Director: Dana Milne

Lighting Design: Brian Graham

Photos: Ben Wiese